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Survey by Jennifer Gonzalez, Interview by Kim Gordon, Focus by Matthew Higgs, Artist`s Choice text by Blaise Cendrars, Writings by Christian Marclay
Ebat: 290 x 250mm Sayfa: 160 c.120 col c.30 b&w illus. Karton Kapak 0 7148 4374 1
Christian Marclay works across numerous visual media – sculpture, installation, performance, found object, and collage – alongside music and its artefacts, to create a unique, multidisciplinary art. Also a musician, composer and DJ, in his visual works he sometimes evokes the memory of music, such as The Beatles (1989), a pillow crocheted out of Beatles audiotapes. Elsewhere Marclay examines the clichéd images of music-making, for example those found on LP record covers: charismatic, classical music conductors; anonymous, smiling Easy Listening girls; sultry rock stars. These are then carefully sewn together to form hybrid, often humorous, ‘spliced -together figures (Body Mix, 1980-ongoing).
A major travelling retrospective of the artist originated at the Hammer Museum, UCLA and travels to the Barbican Art Gallery, London, in February 2005. The highlight of this exhibition is Marclay s tour de force Video Quartet (2003), a four-screen installation combining (mostly) Hollywood film clips associated with music, edited together with virtuoso precision.
A respected musician who has collaborated with John Zorn, Elliot Sharp, and others, Marclay has presented his unique sound-and-vision at the Whitney Biennial, New York, 1991 and 2002; the Venice Biennale, 1995 and 1999, among many key international exhibitions.
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